One of the best things about Londoners is their eccentricity. This lovely woman runs a jewellery stand in the antique end of Portobello Market.
Have photos of Londoners to share? Post them in the flickr pool…
One of the best things about Londoners is their eccentricity. This lovely woman runs a jewellery stand in the antique end of Portobello Market.
Have photos of Londoners to share? Post them in the flickr pool…
Rainy days, rainy days.
Hopefully today is a sunny bank holiday! Enjoy
Who’s heading out to the carnival chaos today?
Taking advantage of Lambeth Council’s SpaceMakers project, Carole Evans set up a photo booth in Brixton Market. Her recent project and collection, Brixton People, was a hit. Her photography has been featured all over London and abroad over the past few tears and she has, among other projects, participated in a portraiture workshop with attRAct, the youth arts programme for the Royal Academy of Arts.
Carole’s interest in photography spreads to vintage cameras as well. In 2008, along with a friend, she co-founded Photomovette, an organization dedicated to bringing back the old fashioned chemical photobooth, with four flashes and four poses. Soon the first one will be in the public domain for all to use…www.photomovette.co.uk
For this week’s London Art Spot, Carole shares her experience working on Brixton People, talks about a disastrous photoshoot that turned out some brilliant results in the end and shows us some photos of people who live, work, or hang out in SW9.
LLO: How does living in London influence your creativity?
CE: I suppose it’s the variety of people who live here, the opportunities there are to see different types of art forms, and the fact that there are many creative people here who have similar ideas to me. I thrive off talking to other photographers and artists; and hearing what other people are doing can be very inspiring.
Another aspect is the smaller underground scenes that exist in London… for a couple of years now I have been dancing the jive and rock ‘n’ roll, which has opened up a part of London which stuck in the 1950’s. People are not scared to be different in London; and that in itself is inspiring.
LLO: Your latest project is “Brixton People”, also featured as a solo show in Brixton Village. Tell us a bit about the project.
CE: Brixton People was a response to a call out for submissions for use of empty units in Brixton market. An agency called SpaceMakers had struck up a deal with Lambeth Council; in an attempt to regenerate an empty and derelict part of Brixton Market, the Granville Arcade, they wanted to get creative businesses into empty units rent-free, for a maximum of 3 months. They were encouraging small term art projects, so I applied with my idea of a pop-up studio, and was granted a unit at the end of January.
The idea was simple; I set up a photography studio in the space, and invited passers-by to be photographed. I wanted to create an archive of the people of Brixton, a record of this vibrant and diverse community. Each evening I would print some of the images I had taken that day, and pin them up around the studio. So an exhibition of the work evolved during the week.
LLO: How did people react to being approached for photographs?
CE: The response was overwhelming. Overall I took 200 portraits. I had said to myself at the beginning of the week if I got 50 I’d be happy! Rarely did people refuse to be photographed. Printing the work as I was going meant people could see exactly what style it was, and what was going to happen with the image.
At the end of the project, I emailed all the participants with a link to web gallery where they could see their picture. I got some lovely replies back; people were really pleased to be part of the project.
LLO: Tell us the story about one of the most interesting people you’ve met and share a photo of that person.
CE: I met so many interesting people throughout the project that I couldn’t possibly single one out. What was amazing for me was being part of the market community for a week; the traders look out for one another and help one another; it’s a great atmosphere and they made me feel very welcome.
LLO: What’s the most difficult challenge you’ve had to overcome to capture a great photograph?
CE: Nerves. Taking photographs of people, especially strangers, was nerve-racking for me at first. But the more you do it the easier it gets. I began to realize that it doesn’t matter if people say no, they are entitled to their privacy and their rebuke is nothing personal.
LLO: Which photo are you most proud of to date and why?
CE: Actually I think it’s one that I did for a hair stylist. I had convinced him that, in order to keep costs down, we could do the shoot on location instead of a studio. Typically, the day we chose happened to be the wettest day of the year; not ideal for any photo shoot but especially not a hair shoot!
After a whole day of somewhat failed attempts, I managed to get permission to shoot in a very cool retro fish and chip shop, which really suited the model’s look. I am especially proud of the shot of the model by the window, as it appears that he is bathed in a warm evening light… but my poor assistant was standing in the rain outside holding a speedlight. I am proud of it because I think technically it’s good, and to have overcome all those obstacles and finally come up with something great at the end of the day was very satisfying!
LLO: Tell us about your ongoing Valentines Day project.
CE: I was inspired to start this 4 years ago, when I was single. I just remember noticing how many people were carrying bunches of flowers on Valentine’s Day. I was kind of amazed at the power of advertising and consumerism that dictated to us all that that was what we gave our loved one on this particular day. So the next year I began photographing it. My idea has changed since, though. Instead of the project being a kind of critique of the consumerism of Valentine’s Day, it is a recognition of flowers as a token of love. I like the expressions of the people; anxiety, anticipation, excitement…
LLO: Which other London-based photographers do you admire
CE: Nick Turpin is a street photographer who also shoots advertising and is a great influence to me, both in his manner of shooting and his energy! Portrait photographers such as Nadav Kander and Jim Naughten, and many of my friends who are working really hard in this difficult industry! Sophie Mitchell, Manuel Capurso, Adrian Wood, David Axelbank to name but a few…
LLO: Favourite place in London to take your camera?
CE: I don’t really have a favourite place… I work on series so I rarely go out with my camera to shoot. And if I do, it’s the people who interest me rather than the place.
LLO: What are you working on now?
CE: I am working on a series of portraits, focusing on one of the underground scenes in London. I kind of want to keep it under my hat for now, as it’s still only the beginning and I’m just a little superstitious about talking about something which hasn’t been completed yet!
Thanks Carole!
For more of Carole’s work, check out her website: http://www.caroleevans.co.uk/
For more London Art Spot interviews, click here.
Listen to a Londoner is a weekly interview with a Londoner – someone who lives in this city, born here or elsewhere. If you’re up for being interviewed, email littlelondonobservationist@hotmail.co.uk.
K Anderson plays ‘lesbian music by a boy’ – confessional, conversational songs about the important things in life – getting older, bad sex, and needing a special someone in your life who can shave your back hair for you.
LLO: Which aspects of London life most influence your creativity?
KA: I think the randomness of London life is what is most inspiring. Turn a busy street corner and you could walk into a makeshift market, a film shoot, a drunken punch up or a protest march – you just never know. Speaking of random, the other day I ran into a girl who I went to primary school with on the other side of the world. My head is still spinning about that.
LLO: Where are you from originally, how long have you been in London and what brought you here?
KA: This is always a bit confusing: I was born in Scotland, but emigrated to Australia with my family when I was 8, and then moved to London when I was 22. My friends in high school were obsessed with Oasis, and I was obsessed with the Spice Girls, so England was the obvious place for us to plot our escape to. I was the only one who actually managed to move here, though…
LLO: Tell us about the making of your video for “Shrug”. Lots and lots of feet…
KA: I carried a video camera with me for a few months, and sheepishly asked all of my friends to dance for me when I caught them in a good mood. I wanted a light and breezy video to go with ‘Shrug’, which is one of those toe-tapping songs disguising a sinister lyric. The hook of the song – ‘You want to call what we do love, I want to call it dirty sheets’ – keeps getting me into trouble with prospective romantic partners…
LLO: Favourite place in London to spend a Saturday night out on the town?
KA: My favourite club night is ‘Unskinny Bop’, which is held at The Star of Bethnal Green. They always play totally random songs, and so you find yourself dancing to tunes you haven’t heard in years and years. Expect Betty Boo followed by The Temptations, Fuzzbox, and The Backstreet Boys. Amazing!
LLO: What’s the best part about living in your postcode?
KA: I live in Stoke Newington, and although there are a number of pushchairs to avoid when walking down Church Street, I don’t think I would want to live anywhere else. There is a real sense of community here, and everyone I meet is fiercely proud of this little village. Oh, and there’s an amazing vegan stall at the local farmer’s market.
LLO: I hear you’ve been inviting people into your big new bed. Tell us more.
KA: I’m slightly modest when talking about my music, but if you start me talking about my bed you won’t get me to shut up! It’s a super-king-size, and I have been madly in love with it since I bought it last year. I started a video series, ‘In Bed With K Anderson’ as a way of not only showing it off, but the talents of my many singer/songwriter friends. The premise is simple – people come over and sing a cover of a recent hit song in my bed with me. It’s been such an inspiring project for me, and it’s great to discover they way other people approach music making.
LLO: While you were in bed singing Rihanna/Eminem cover, you wore a t-shirt with iron-on letters that says “vegans make better lovers.” Are you vegan? If so, what’s your favourite place to go out for vegan food in London?
KA: I am, indeed, a vegan. I would have to say that my favourite place to go in London for vegan food is RootMaster (www.root-master.co.uk/) – it’s an old routemaster bus which has been converted into a bustaurant (see what they did there?), and has delicious pizzas. Oh, and the cheesecake is quite delicious too.
LLO: What’s your favourite unique London discovery?
KA: Candid Café, which is behind Angel station, is just lovely. In an area which is riddled with Starbucks, Café Nero and Pret a Manger, it is nice to find a little, unique space which sells plenty of varieties of teas and has proper, worn-in couches to spend an afternoon lazing in. What’s especially good about it is that there’s almost always a place to sit!
LLO: You just launched your album, The Overthinker. Why should we immediately pick up a copy and have you thought about what’s next?
KA: ‘The Overthinker’ is a snapshot of London life for an unsure 20-something year old; someone who is no longer cocky enough to believe the world will bend at his whim, but also not yet fully comfortable with the person he is becoming. It is at times awkward, brash, and comforting. At all times, though, it is honest. Perhaps too honest.
For the future, I am most looking forward to doing more writing – bringing out an album is hard work! Before that, though, there will be more ‘In Bed with K Anderson’ sessions and music videos to accompany songs on the album. I will also be hitting the road soon, visiting different parts of this country with my guitar on my back…
LLO: What’s your favourite place to play a gig in London?
KA: I love playing at the cabaret venue Royal Vauxhall Tavern, because it has a proper stage, lovely sound, and a really appreciative audience. Oh, and it’s probably one of the only venues I play at in London which has its own dressing room. It may not be swanky, but it’s rather fun telling people that you have to go to the dressing room to get ready.
Thanks K!
For more Listen to a Londoner posts, click here.
Nearly every single time I walk down Portobello Road on a Saturday, I see this lovely man and his dog – always perched on top of his shoulders. Every time I see him, I can’t help but smile.
Post your photos of Londoners in the Flickr pool if you’d like to share.