London Art Spot: Emli Bendixen

This year started off well for Emli Bendixen as she was short-listed for Professional Photographer of the Year Award 2009. With a long list of clients like Wonderland, Vice and Dazed and Confused and a fascinating portfolio of images, this North London-based photographer – who was born in South Korea and grew up in Denmark – has the passion and vision to go far in her career.

For this week’s London Art Spot, she tells us about her approach to photography on a recent trip to India, where we can find a taste of Korean and Danish food in London and about some of the capital’s interesting locations to take a camera.

LLO: How did you end up in London and how long have you lived here?
I first moved to London aged 19 after finishing school in Denmark. Being from a small town, I couldn’t wait to move to the city. I later went off to Glasgow and then to Copenhagen for university before returning to London where I have been ever since. I’ve lived in Shepherds Bush, Kennington, Old Street, Dalston, Stoke Newington and now Crouch End.

LLO: How does living in London influence your creativity?
 First and foremost it gives me access to some really exciting people. I’m curious and inquisitive by nature – and I can think of few places better than London to keep you stimulated and with so much to look at.

LLO: You’re from a Korean/Danish background. Where’s the best place in London to find a taste of Korean or Danish culture?
To be honest, I haven’t looked into either much. I’m here to check out all the other bits of culture that are different to mine… Although not entirely Danish, I do love the food at Elk in the Woods in Angel; and the Scandinavian bakery in Golden Square. For Korean food there are a couple of excellent places just next to Centre Point – and I really like Dong San in Poland Street.

LLO: Twitter tells me you went to India over Christmas and Flickr shows you brought back some great photos. Tell us a bit about your trip and the photos you took while you were there?
I went to Kerala in the South. It was an incredible experience. I was very aware of being a tourist, with a Western background, with a camera. I noticed that this role in relation to the people I photographed tinted my photographs with something not quite real – at best something very self-conscious, so I decided to break this process and instead forced myself to focus more on general impressions, the little and the big things… the view from our homestay in Periyar, our taxi driver from Munnar, and the dog that followed us down the beach in Varkala…The result is more personal – I suppose much like a diary – in that I spoke to almost everyone I photographed and walked the same mountains you see in my pictures. The food photography was part of a separate food diary, which my girlfriend was writing.

LLO: Which piece are you most proud of and why?
A portrait called Harmony.

LLO: Favourite place in London to take your camera?
The city is full of exciting locations – I’ve shot in pubs, clubs, warehouses, studios and council flats; next week I’m shooting in a friend’s house in Finsbury Park that’s in the middle of being renovated. Although I mainly shoot indoors at the moment, I love Hampstead Heath and Abney Park in Stoke Newington. 

LLO: Your largest set on Flickr is called “Faces”. What do you try to capture when you’re shooting a portrait and where do you find your models?
More often than not, I ask people I know to sit for me. What is most interesting for me in taking a picture is capturing some part of that person which may not usually be on display; so it’s about going beyond what immediately meets the eye. Again, it’s about curiosity… I just want to know a little bit more than I did the moment before that picture was taken.

LLO: What type of camera and lens do you use?
I normally use a Canon 450D and recently a Canon 1DS Mark III; also a Diana F+, a Holga, and a Minolta XD7.

LLO: Your client list already includes Dazed and Confused, Vice and Professional Photographer Magazine. Who is your dream client and why?
I would love to work for The Guardian and The Times; Monocle and Intelligent Life are also high on my list. I’m also keen to shoot more music photography – I’ve done press shots for bands such as Robots in Disguise for a couple of years which has been a great challenge and definitely something I want to get more into. I suppose generally I would be happy shooting portraits and lifestyle images that allow for a personal and aesthetic approach.

Thanks Emli!

For more of Emli’s work, check out her website:

For more London Art Spot interviews, click here.

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