Written by Efemena Agadama, a poet and playwright, originally from Nigeria, who is working on his first novel.
He normally contributes articles to his Amnesty International blog.
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“The man who can dominate a London dinner table can dominate the world.” – Oscar Wilde
From top left: Lily Mabura and Namwali Serpell;
From bottom left: Alex Smith, Olufemi Terry, and Ken Barris
As London remains the global city of literature, where the great minds of Shakespeare, Wordsworth, George Elliot, Oscar Wilde, Dickens, Milton, and Keats once held sway, the sweet voices of Africa shortlisted for the 2010 Caine Prize for Africa Writing converged at the prestigious Travel Bookshop at Notting Hill on July 3, 2010.
But this time around, it wasn’t the flag of the English literature that they hoisted, though with due respect to the English literature. It was the brightly coloured rainbow flag of the sweet African literature; the literature where words of wisdom, onomatopoeic rhythms, drama and compact plots entwine to weave the beautiful honeycomb of a unique world literature that has been the love of other world literatures.
And the revered voices were Namwali Serpell, Alex Smith, Olufemi Terry, Ken Barris and Lily Mabura. Oh! It was a lovely and endearing gathering. They were so humble and social that you wouldn’t be able to identify them. Even I couldn’t identify them. However, I guessed on one – Namwali Serpell. As soon as she entered with all smiles, complexion of a mixed race, pretty hair style and a modest gown, she hugged two members of the audience at the front row, and I was behind at the third row. In fact, I felt hugged too. I felt her hugging me with her pretty smiles. And when she smiled at them, I still felt she was smiling at me. Please, don’t laugh at me. The aura of the African literature that the five shortlisted writers brought into The Travel Bookshop auditorium could make anyone feel hugged in such a situation. Now I understand why people used to fight over Michael Jackson’s shirt during performance. Look at me fighting over a hug in my spirit.
After a while, the moderator, Saara Marchadour hit the drum for the music of the day to begin. She in her modesty asked them one after the other to read excerpts from their shortlisted entries. Ken Barris started the drumming. He stood up and began reading from his “The Life of Worm.” Its reading had the professionalism of a news caster. He cleverly alternated his eyes between the script and the audience. Alex Smith read hers “Soulmates” with a very emotional tone; Sharp, clear and with subtle demonstrative cues of drama. As she read, one could hear the words like the rendition of an actress on Shakespeare Globe Theatre during the performance of Macbeth this past June. Olufemi Terry had a louder voice. I think his body build added substance to his voice – softly audacious. Then Namwali read from her “Muzungu”. She read with a dramatic flow and a clear voice. As she read one could see a reflection of all her travellings in her rising and falling tone. And the fifth shortlisted writer, Lily Mabura with her creative candour, gave us a noble background to her story and set the fire aglow to signal the end of the reading sessions.
Thereafter, the respected and famous Saara Marchadour of the Travel Bookshop interviewed them on the stories and inspiration behind their shortlisted works. And she opened the floor for audience members to ask questions.
It was lovely and very exciting. Just being in the presence of these great writers is like being locked in a small room with a million and a million of Shakepeare, Wordsworth, Soyinka, Achebe and Coetzee. These shortlisted writers have really re-hoisted the African literature flag in London and it now flies higher. Really, London remains the world’s leading city in Arts and Literature.
Little London Observationist 