One thing I will certainly miss when I leave London is the incredible choice of street food from all over the world, particularly in the markets around Camden and Brick Lane.
There’s a choice of Ethiopian, Brazillian, Peruvian, Chinese, Thai, Japanese, Burmese, Mexican, French, Greek, Moroccan, South African, Jamaican, Sri Lankan, Indian and just about anything else you can imagine.
Here’s a few snapshots of the vendors and food on offer around Brick Lane to get your mouth watering:
Longing. Belonging. Belongings.
These words describe the essence of Charlene Lam’s art. They stem from a multicultural background She’s a German-born Chinese-American who has grown up in NYC and San Francisco where she performed as part of a hip-hop troupe though she also has 10 years of classical ballet training. She’s lived in Germany, Sweden and now London. To top it off, her husband is an Italian-born Peruvian.
Needless to say, she loves to travel and if you read on through this week’s London Art Spot, she explains how those words above tie her wanderlust and artwork together. She also talks about her obsession with wandering the banks of the Thames to collect washed-up materials to use in her work (a sort of reinterpretation of belongings) and she shares a lovely story about a woman called Lee Chin Won Ying.
LLO: Which aspects of London life influence your creativity?
CL: I love my East London neighborhood of Shoreditch. It’s super trendy and full of drunk people on the weekends, but the feel is entirely different than that of West London. I like my cities to be a little gritty and full of surprises, and this area certainly qualifies, with its mix of old and new, high and low. Plus, the street art is excellent, and I see something new every time I go out.
LLO: On your website, you wrote: “I love exploring the potential of different materials, especially repurposed ones, and letting the materials tell me what they long to be.” What’s the most unusal material you’ve worked with and what did it turn out to be?
CL: I’ve been obsessed with the clay tobacco pipes that wash up on the banks of the Thames, particularly the fragments of pipe stems that date from the late 16th to the early 20th centuries. If I’m by the Thames and it’s low-tide, I’m down on the banks collecting bits of clay — no matter how impractical my footwear.
I’m still playing with the possibilities of the pipe stems, bundling them together with thread, combining them with different materials. I’d love to make them into jewellery. I read a report that suggested pipe stem fragments were reused as wig-curlers, and I’m curious if I can use them that way in my curl-resistant Asian hair.
I find it amusing that I’m playing with a previous era’s rubbish. Why am I so enamoured by a bouquet of discarded pipe stems when a cluster of cigarette butts would only disgust me? I’m aware that I’m romanticising a past that I don’t understand, but I’m endlessly fascinated: some of this city’s garbage is older than my country!
LLO: Is there a certain material or object you’ve got your eyes on that you’d love to work with but haven’t tried yet?
CL: So many materials! I’m coveting all kinds of offcuts from various businesses, because I love the challenge of making something out of nothing and hate seeing things go to waste. But to name a certain technique, I would love to work with clear resin. The ability to physically capture an object — and perhaps a moment — so that it’s at once preserved and yet untouchable is very appealing to me.
LLO: Why should we immediately pop over to visit your blog, “Someday London” and where did the title come from?
CL: “Someday London” is London through the eyes of a creative expat: my triumphs and humiliations, my likes and dislikes, the extraordinary and the everyday.
There’s so much to see and explore in London, and I love sharing my finds with other people. For instance, I’ve started highlighting the work of the amazing craftspeople and designers I come across, because the quality and breadth is stunning.
The blog is called Someday London because big cities are full of longing: “Someday … I’ll afford a place of my own.” “Someday … I’ll get out of here.” One of mine was “Someday … I’ll live in another country” and now I’m doing it!
LLO: In what ways does your NYC background still influence your work in London?
CL: New York City will always have my heart. I’m very inspired by the potential of materials and people, and there’s no place that pulses with possibility the way that NYC does.
I’ve been in London for a bit over a year, and I’m very much aware of not quite belonging. I’m too chatty and overenthusiastic by British standards; I don’t drink much so pub culture eludes me; I still get confused sometimes crossing the street.
My work is often influenced by my personal struggles with identity and finding a place to belong. I’m in London for now, but I’m not from here. I don’t think I belong here, but I’m happy to be here all the same. I don’t know if I belong anywhere, but so far New York City is the closest thing to home.
LLO: Where are your favourite places in London to pick up found objects to use in your artwork?
CL: The more neglected and overlooked, the better! Hardware stores. The banks of the Thames. Charity shops. Pound stores. Skips. Buildings sites. My eyes are always scanning the streets for possibilities.
LLO: Tell us about Lee Chin Won Ying and the project her story has inspired.
CL: Lee Chin Won Ying was my great aunt, or “yee pau”. She emigrated from China to Hong Kong and then to New York City, where she worked as a seamstress. After she died, I found amongst her papers her study sheet for the U.S. citizenship test. In typewritten English and handwritten Chinese, it dryly tells the story of her hard life.
Women of my generation struggle with having too many choices; she had very few. She worked as a seamstress because she had to, while I can make things for the joy of it. Even after she started living in relative comfort, she hoarded things like plastic bags, food, and scraps of fabric — not uncommon for Chinese immigrants of her generation who lived through periods of real poverty. It’s an interesting juxtaposition with our “more is less” culture, where we buy, own and throw away so much, yet live in a similar state of insecurity.
I am recreating phrases from that study guide — like “I am a sewing worker” — in embroidery. I didn’t speak her dialect of Chinese, so we had trouble communicating when she was alive. Retelling her story through stitch is my way of honouring her life and, in a way, of having a conversation with her.
LLO: Which project are you most proud of so far and why?
CL: I’m particularly proud of “Petals (Longing for Light)”. We were living in northern Sweden. I was struggling with the lack of light and the scarcity of affordable art materials. It was made in response to a call for submissions, but I remember not thinking about it too much, just working with the basic materials I had, and channeling my angst into these beautiful forms. I learned a lesson that I return to time and time again: My best work comes from Love and Longing.
LLO: Favourite London-based artists?
CL: Currently: Rob Ryan, the folks from Print Club London, the illustrators of Peepshow collective, the designers of Farm collective, Evelin Kasikov and her CMYK cross-stitch.
LLO: What are you working on now?
CL: I’ve been playing around with alternatives to purchased gift wrap, using rescued and repurposed materials. I’ve always loved the glamour and fun of gift wrapping, but hated the waste.
I’ve also just curated a selection of work from seven designer-makers for the Craft Central Micro Boutique at Vitra’s Christmas Gift Market. The market was in their gorgeous showroom in Clerkenwell, and I wanted to showcase these products designed and made in studios around London alongside the designs of masters like George Nelson. 10% of sales went to benefit the housing and homeless charity Shelter.
Thanks Charlene!
Check out more of Charlene’s work here: www.charlenelam.com
For more London Art Spot interviews, click here.
Camden is, without a douubt, one of the most colourful, eccentric and interesting places in London to take a camera. Markets wind off of the main high street, twisting and turning through shops with just about anything you could possibly imagine (except for sushi mats. I didn’t find any of those and I was looking). We ate Turkish lamb and mushroom kebabs and Chinese dumplings then sat by the edge of the canal eating gooey brownies and winter tea made from white tea, vanilla, cinnamon and ginger with orange slices floating on top.
Here’s a handful of Camden photos for today.
If you have any London market pics, add them to the Flickr pool for a chance to be posted.
An interesting mix of the Chinese community who live and work in the area, other locals passing through Soho and curious tourists, the atmosphere alone makes Chinatown worth a visit.
There is central London rubbish to step around on the pavement, roasted ducks hanging in windows and the occasional waft of polluted air from dirty alleyways, but there’s also an amazing array of Chinese, Korean, Thai and other Asian goodies in the local supermarkets and corner shops, restaurants with dim sum and buffets galore. Like Banglatown in the East End, the street signs in Chinatown are written in two languages.
I passed through the other day and thought I’d share a few photos from an ordinary Chinatown day.
Listen to a Londoner is a weekly interview with a Londoner – someone who lives in this city, born here or elsewhere. If you want to be interviewed, email littlelondonobservationist@hotmail.co.uk.
Michele Gorman, 43
Michele Gorman is an American writer, and now a card-carrying Brit, who has made London her home. Her debut novel, Single in the City, charts the misadventures of 26-year-old American Hannah who, upon moving to London, blunders her way through life and love amidst a population who doesn’t always see the funny side of her cultural misunderstandings.
LLO: Give us the basic details first – How long have you been in London, where are you from originally and what brought you here?
MG: I’ve been here 12 years, and am in fact now a card-carrying Brit. I moved from Chicago, but was raised in the Northeast, in a rural town in Massachusetts. I came to London because I followed my heart. My then-boyfriend was transferred from the States and I figured it’d be fun to live in a new city. I was right!
LLO: Interesting that you decided to write a book called “Single in the City” when you personally moved to London for love. What inspired the idea?
MG: The story is definitely fictional, since, as you rightly point out, I was very much attached when I moved here, and for many years afterwards. So the idea didn’t come from being single myself. Actually it was born out of spite. My background is in literary fiction rather than chick-lit, and I’d just picked up my first chick-lit book, which I thought was terrible. Yet it was a best-seller. I knew I could write something better than that, and my expat experiences were such natural fodder that the book practically wrote itself. I knew Hannah had to be single because the story is a comedy, and a single girl’s misadventures are ripe for humour (though not always to her!).
LLO: Which aspects of British culture baffled you most when you first arrived?
MG: Just about everything was baffling, from the British approach to getting what they want (and never directly saying what it is that they want), to daily routines like getting on the bus or ordering a sandwich. I quite like to cook, and translating the names for ingredients from American to English took some time (and I’m still not sure what treacle is).
I used to find queuing odd, but now find myself gravitating toward them and standing patiently. My family says I’ve become ‘too civilised’ for America now. I guess that’s the natural result of having to share a little island with 60 million people.
LLO: Share a little story about a challenge you’ve had to overcome as an expat.
MG: If I had a pound for every time a Brit has said to me ‘But you’re not like most Americans.’ I wouldn’t need to work. Overcoming the stereotype of a ‘typical’ American has been a constant challenge. Part of what they think of as typical about us is that we tend to see our time in the UK as temporary.
The Brits I’ve met over the years have generally been reluctant to make friends with expats if they don’t think we’re going to stick around for the long haul. Many have told me that they don’t want to invest in friendship if that friend is just going to leave, and this has been one of the biggest hurdles against making British friends. It took more than four years before I was invited to my first proper English house party, despite having several English men and women that I counted as acquaintances. I knew I’d finally convinced them that I planned to stay when I got that invitation! And we’re still friends today.
LLO: What do you love most about your adopted city and is there anything besides family and friends you’re missing from the States that you can’t find here?
MG: There is a gentleness about London that is surprising for a big city. What it may lack in efficiency it more than makes up for in peacefulness away from the crowds. Even in frenetic central London you need only to step down a side street to find quiet neighbourhoods, cafes, little independent shops and green squares.
It used to be the case that American products were hard to come by. Like many of us, I imported certain goods like my favourite deodorant, Tollhouse morsels and corn syrup for baking. Going into a Walmart when back in the States was unbearably exciting and my suitcases came back laden with useful gadgets. Now though, most baking and food products are available (if not in the shops then online), as are those useful gadgets. Plus Mom still regularly sends packages of things I don’t realize I need until I see them. Those plastic bags you attach to a Hoover to shrink wrap clothes and bedding are an excellent case in point; how have we lived without them in London’s tiny flats?
I do miss having access to plentiful, cheap or free live music. Coming from Chicago where hundreds of bands played each weekend in bars and pubs across the city, it was an adjustment to realize that you have to book ahead for everything here.
LLO: You’ve written for UK Cosmo, Sunday Telegraph, The Observer, Guardian, Evening Standard, etc. How did you build up your reputation as a writer having started from scratch as an expat? Any advice for others in the same boat?
MG: All of my articles have come off the back of the publicity for Single in the City. I have a great PR through Penguin who has arranged all of that. But if I hadn’t been lucky enough to have that kind of help I’d have approached the newspapers and magazines myself. If you’re new here, go into the newsagent and write down the titles you see. And don’t discount the tabloids, though be prepared to write from a salacious angle. The editors on all these publications have to fill them each week/month and are always looking for articles (though they don’t often pay for them, so it’s not generally a lucrative career). Also, blog sites are really great for writers because they are always looking for good content.
LLO: What’s your favourite London discovery?
MG: The Southbank. It’s perfect for a stroll along the river, for having a coffee or drink, or popping in for a free concert/exhibit/reading. There are also of course amazing performances on all the time, and it’s easy to walk back across the bridge into Covent Garden.
LLO: I’ve got one night in London. Recommend the best place to go for dinner and drinks.
MG: It depends on what kind of experience you’re after. If you want upscale, have a drink at the bar at the Sanderson Hotel (50 Berners Street, W1T 3NG). It’s beautiful and funky inside, and has a great all-season courtyard that is very cool, trendy and a bit romantic. Then go to Hakkasan (8 Hanway Place, W1T 1HD) for mouth-watering, very interesting Chinese.
For a more casual experience start with drinks at the The White Horse (1-3 Parsons Green, SW6 4UL), then dinner at the always chaotic and friendly Sale e Pepe, for good Italian (9-15 Pavilion Road, SW1X 0HD).
LLO: Have you developed any amusing British tendencies in the past 12 years that you’d like to share?
MG: I queue. I tut and mutter under my breath when someone jumps in front, but rarely say anything anymore. I walk on the left instead of the right and find myself getting cross when others try walking on the right. And I now ask ‘Are you all right?’. It’s official. I’m British.
LLO: What are you working on now?
MG: If Single in the City sells well, then I’m ready to write a follow-up.
I’m also writing a book for an older audience. It’s still chick-lit, but the heroine is 39. She doesn’t have ‘issues’ though, no cheating spouse, big behind, social life-crimping children or ticking biological clock. She’s single, well-adjusted and independent, optimistic and enthusiastic about her future. I don’t see much of this kind of writing, despite all of the real-world women like this that I know. So I’m writing one for them.
If you’d like to buy a copy of Michele’s book, Single in the City, head over to Amazon.
For more about Michele and her work, visit her website: www.michelegorman.co.uk
Follow her tweets @expatdiaries or show some support by joining the Single in the City group on Facebook.
Thanks Michele!
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