London Art Spot: Patricia Vidal Delgado

Photo of Patricia above is courtesy of professional photographer, Ambra Vernuccio.

Meet Patricia from Portugal who speaks five languages and learned to pole-dance especially for her art: film-making. She’s studied in London, Jerusalem and Lisbon. She’s interned in London, Lisbon and Rio de  Janeiro. She’s held a residency in Morocco and exhibited her work in Stuttgart, Budapest, Zürich and, of course, London and Lisbon. She can’t keep away from London and if you read on below, you’ll find out why.

Patricia’s work reaches an international audience, not just for its movement in the world, but because she explores important subjects that touch people around the world. For this week’s London Art Spot, Patricia delves into the topics that have inspired her film-making, tells us about a new double-screen projection she’s working on and shares a few video stills and clips that she’s made available just for us.

Soundbite – Click to download:  NESIA

LLO:You’re originally from Portugal but have spent quite a lot of time living, studying and working in London. Which aspects of life in this city most influence your creativity and in which way?
PVD: I think that living in London makes me more adventurous in my creative endeavours. You can do anything you want here. For example, when I wanted to learn how to pole-dance for my ‘Monument’ performance-piece, I found that there were over 100 pole-dancing class venues in Central London alone. When I started to become interested in the idea of real-time live animation, after some research I found several London-based artists’ organisations that work with this type of technology. I then liaised with Bruno Martelli at Igloo, in order to talk about possible configurations for an interactive video installation.

LLO: Briefly describe your approach to film – the most important subjects for you to capture, the progression of an idea, etc.
PVD: This depends… It depends on whether I already have an idea in mind before I start shooting, or if I don’t have a definite idea in mind and I’m just shooting for the joy of it. I’m certainly drawn to certain images but at the time that I’m shooting them I won’t know why I’m so attracted to them. I think that part of the process of making art is understanding why, as an artist, you’re so drawn to the images that you keep finding yourself gravitating towards.

LLO: Roland Barthes’ book, A Lover’s Discourse: Fragments has influenced your work Black Sand. Are you often inspired by literature? If so, which other pieces have motivated you to create? What else inspires you?
PVD: I am often inspired by literature. Sometimes I’ll start working on a film and then I’ll read around the themes of the film in order to flesh out my ideas – which is what happened with ‘Black Sand’. Or sometimes I’ll read a book first and find myself profoundly shaken by it. The first time I experienced that was with Jorge Amado’s ‘Dona Flor e Seus Dois Maridos’ (English Title – Dona Flor and Her Two Husbands), when Vadinho says to Dona Flor:

‘Tua mãe é uma velha coroca, não sabe que na vida só vale o amor e a amizade. O resto é tudo pinóia, é tudo presunção, não paga a pena…’
‘Your mother is an old hag, she doesn’t know that love and friendship are the only things that matter in life. The rest is all worthless, its all vanity, its not worth it…’

And this statement really hit me on the head, and whenever I write or make work about love or relationships (i.e Black Sand) I’m torn apart by the hypothesis that, if it IS an absolute truth that love is the only thing that matters in life, then its also true that you can’t live on love alone and, therefore, no matter what choice you make regret is inevitable.

Music often inspires me as well – I’ll listen to a song and it’ll get under my skin and circulate in my blood and it won’t leave me alone until I’ve re-created it in my art. This happened with Clara Nunes’ ‘Ternura Antiga’, which tormented me until I used it in my sound-piece entitled ‘Mermaid’.

LLO: On your website, you write, “Girl with Gun developed from my interest in the psychological and archetypal aspects of the phallic female.” Can you elaborate on this statement and tell us a bit about this film?
PVD: I’ll start with the psychological aspects first – I first came across the figure of the phallic female in Freud’s writings, where he talks about the phallic mother. Prior to the traumatic realisation that sets off the castration complex in the young boy, the child assumes that everyone possesses a set of genitals like his own and so, by inference, believes his mother to possess a phallus as well. Therefore, the phallic female is a product of male fantasy that stems from the young boy’s blissful ignorance of sexual difference.

Lacan also refers to ‘phallic women’ as women that display masculine characteristics and/or behaviour. In Renata Salecl’s writings, she refers to a woman suffering from hysteria as a ‘phallic woman’, because the female hysteric will not accept the terms of her castration. This feeds into feminist theory because 1st wave feminism reclaimed the female hysteric as a figure of female resistance to the patriarchy, precisely because she does not perceive herself as castrated and therefore weak.

In terms of archetypal aspects, Marina Warner has hypothesized that the goddess Athena was the first phallic female, because she was “the defender of father-right (…) the upholder of patriarchy” and was born directly from Zeus’ head. She is a virgin goddess that channels the power of the Phallus, but as an asexual female eunuch she does not ‘desire’ the Phallus and therefore poses no threat of castration.

In ‘Girl with Gun’ I sought to embody the figure of the phallic female in order to play with the psychological signifiers and archetypal guises that make up the many layers of her persona. Ultimately I wanted to explode the dichotomy of the phallic aggressor and the castrated victim, in order to move beyond such insidious politics.

LLO: Which piece are you most proud of at the moment and why?
PVD: The piece I’m most proud of is my video installation, ‘Coming to Term’. In this piece I talk about my father’s illness and death, and although I acknowledge that it is very raw, and somewhat relentless, and sometimes very cruel, I speak from experience when I say that watching a loved one die from cancer is also very cruel and there’s no other way to talk about that situation. The only way that I could accept that loss was to deal with it in my art, and I hope that it helps others that have lost family members to cancer.

LLO: You’ve mastered Portuguese, English, French and Spanish and are working on learning Hebrew as well. What are your thoughts on the effect of language on a film? Is the language it is presented in originally important or is your work easily translated?
PVD: I think that language certainly ‘flavours’ a film, in the sense that it constitutes a cultural signifier in itself, which in turn can convey exoticism or familiarity to the viewer. Exoticism can result in fascination or alienation, but what really interests me is the point where language is pushed beyond the point of signification, once we are in the realm of Julie Kristeva’s semiotic, and one can truly enjoy the jouissance of speech. When I use language in my sound-pieces I’m definitely experimenting with the different rhythms and phonemes particular to Hebrew, Portuguese or English.

I think in some cases, too much is lost in translation – for my film ‘Fonte da Saudade’ I asked a Brazilian actor to perform a voice-over, and the inherent warmth and sensual vowel-sounds of Brazilian Portuguese created the emotional atmosphere of the film. Needless to say, English is not as sexy!

LLO: Which stage of producing a film is usually the most enjoyable – from original idea through working toward a finished project to marketing and sharing your work?
PVD: The most enjoyable bit is when its just me and my camera, traveling and filming, shooting for sheer pleasure.

LLO: Is there a place or object or person specific to London that you would love to incorporate in a future project and why?
PVD: I’ve started collaborating with an artist called Philip Levine and we’re going to make a documentary together about his artistic practice for his upcoming solo show in Summer 2011. Phil is involved in a lot of different activities but his exhibition will focus on his head designs, which are amazing, anyone who is interested should check out his website: www.philsays.com

LLO: Other artists you admire?
PVD: While on residency in Morocco I met an Italian photographer called Ambra Vernuccio who takes the most stunning pictures. Whilst there I also met three highly talented illustrators: Seif Alhasani, Kiboko HachiYon and Raimund Wong. Seif is of Iraqi origin but grew up in Sweden and creates mostly hip, funky-fresh graphic design. Kiboko HachiYon is Kenyan and has his own artist-led collective called ifreecans and makes ultra-groovy designs for everything from murals to T-shirts. Raimund is from Hong Kong and makes beautiful prints from wood-cut blocks and also plays electric guitar in a band called Lord Magpie.

In terms of Slade colleagues, I’ve always admired the work of Michael C. Schuller who was in my year in the Fine Art Media area. Michael is from Nashville and his artistic practice includes photography, illustration, creative writing and book-making.

LLO: What are you working on now?
PVD: I shot two hours’ worth of footage in Morocco and I’m currently thinking about creating a double screen projection with the footage I’ve captured. One side of the screen will play a male voice-over and the other side will play a female voice-over. Its funny that you asked me how often literature inspires me, because I’m currently reading a seminal work in Portuguese feminist literature, ‘Novas Cartas Portuguesas’ (English Title – ‘The Three Marias’), and I’ve long wanted to make a work that deals with the female archetypes manifest in Portuguese culture…

Thanks Patricia!

Check out more of Patricia’s work here: http://www.pvdelgado.com/

For more London Art Spot interviews, click here.

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Listen to a Londoner: Lisa Bolton

Listen to a Londoner is a weekly interview with a Londoner – someone who lives in this city, born here or elsewhere. If you’re up for being interviewed, email littlelondonobservationist@hotmail.co.uk.

lisa
Lisa Bolton

Lisa is a northern lass from the French countryside who is integrating into London’s Colombian community. She’s trying to get used to overcrowding and living like battery hens whilst growing very fond of cultural diversity, chips and Primark!

LLO: How long have you been in London, where are you from originally and what brought you here?
LB: I’ve been in London for 2 and a half years. I was born in Salford, Manchester but have lived in nearly all my life in a forest in Normandy France which is where I call home. I came here for work and a new beginning. After finishing my studies and working in Spain for 2 and a half years there was little work in France so I made my decision one morning to come to London and find a new job!

LLO: Which area of London are you most familiar with and what’s the best thing about it?
LB: Having lived in various areas in London I really love Elephant and Castle and Brixton. As I said I grew up in a forest 2km outside a village of 467 people. I had a pretty sheltered life to say the least. I had heard so many horrible things about these 2 areas I was scared to death, but there is a really sense of community. Even though I have moved away from the area now I still enjoy going to Weight Watchers every week in Brixton and the Ritzy cinema is brill and there is a lot of different shops. And Elephant is the best place in London as there is so much going on, transport is excellent and you feel as if you are in another world. You can walk into central London in 30 minutes!!!

LLO:  Tell us about your favourite unique London discovery.
LB: Uhmm, quite hard. I think it depends on what you are into and unless you are in that scene you wouldn’t know about it. Thanks to my circle of friends which is made up of Colombians I suppose it would be the Vallenato sub-culture and the private parties, functions, festivals and carnivals.

I would also say that the Fitzrovia live radio performances are a great discovery and brilliant. They often perform at the Globe’s pub The Swan. I discovered this through my friend and ex-flatmate who is an actor.

But of course my most precious unique London discovery is my fiancé Carlos who I met here.

LLO:  Where are your top choices for a night of dancing?
LB: I LOVE dancing but mostly salsa. However, I REALLY like G-A-Y to let your hair down and for cheap drinks! People there are really friendly and will come up and dance with you.

I don’t really like the “Latin” places here. The music is not that great and the dancing is quite the same. I believe La Floridita is great and it has been recommended, but I’ve never been. There is one place in Brixton called “La Mazorca” which is a bit of a dive and there are a few dodgy characters BUT if you go in a group they play great music and have a great dance floor. Otherwise, I have always had the best dancing time at improvised parties in various little bars and open air festivals like “Carnival del Pueblo”.

LLO: Give us an unusual or quirky idea for a date in London.
LB: To be quite honest I have no idea, probably not been on enough dates to know. But I recently met up with a former flatmate who told me he had had a few dates since we had last seen each other and one guy took him to a taxidermist shop! Needless to say he didn’t go out with him again!

LLO: If I only had one night in London and wanted to head away from the tourist trail for food and drinks, where would you send me?
LB: Gosh, this is a hard question as it depends what type of food I fancied. I have my favourite Colombian restaurant, French restaurant and Indian restaurant! But I suppose if I weren’t here I would be living outside the country and therefore it would probably have to be a pub where I could have steak and ale pie and chips. It’s not off the beaten track but the Horneman over-looking the river on the south bank near London Bridge is easy access and the food is quite nice also, but most good pubs could probably do the same.

LLO: If you want to experience another culture in London, what’s your first choice and where do you head to find it?
LB: WOW, the choice is incredible as London in itself is a cultural mish-mash. The first time I went to Whitechapel, I thought I was in some Asian country. It was incredible. Elephant again springs to mind. Latin American and African cultures are predominant and you can get by just speaking Spanish!

LLO: Tell us about a London memory that could only have happened in London.
LB: I am an English teacher on Oxford Street and I have large, very culturally diverse groups of people who maybe have never left their country before. They have strong preconceptions about different nationalities, colours, cultures, sexual preferences and, of course, religion. As a Teacher it is very hard to approach such sensitive subjects especially concerning homophobia and the stigma which every Muslim/Arabic student is viewed with. Some Latin American students have never met a Muslim let alone a woman in traditional dress. But one day in a class in which I had Baptists, born again Christians, Catholics, Buddhists, Russian orthodox, Shintoists and Muslims (from Turkey, Russia and North African countries) the debate turned to religion which I allow as long as everybody respects each other’s beliefs. The students all found common ground within their different religions and traditions using English. They all got along so well and were respectful of each other. I know sounds corny, but I really warmed my heart that despite all the war and hatred in the world, people from  incredibly different walks of life found they were all the same.

LLO: Who is the most interesting Londoner you’ve met and why?
LB: Everyone in London has had an interesting life and a story to tell. But one of my students, Maria, had come from the slums of Lima, Peru, and had been to a school run by nuns and financed by fundraising from Europe. She had worked her way up to become an English teacher and came to England to better her skills.

Doing the job I do has been a real eye opener to see that intelligent, highly qualified people who are psychologists, engineers, lawyers, film directors etc… perform menial jobs due to their legal status and language skills in order to learn the language. It really angers me when you see office workers ignoring cleaners knowing that they are probably for more qualified than them. It cost nothing to smile or acknowledge someone.

LLO:  If you were to move away from London in the future, which five things would you miss the most?
LB:
1) Cultural diversity
2) The choice of different products and restaurants
3) The different events
4) Primark
5) Public transport especially the tube (despite all the strikes, hahhaha!)

Thanks Lisa!

For more Listen to a Londoner posts, click here.

Listen to a Londoner: Wilfredo Arturo Diaz Ardila

Listen to a Londoner is a weekly interview with a Londoner – someone who lives in this city, born here or elsewhere. If you’re up for being interviewed, email littlelondonobservationist@hotmail.co.uk.

Wilfredo Arturo Diaz Ardila, 32

Wilfredo comes from a small town called Mogotes near Bucaramanga in Santander, Colombia. He talks to us for this week’s Listen to a Londoner about his life in the UK, where to find a Colombian experience in London and about a product called panela that he plans to import from home.

LLO: How long have you been in London and what brought you here originally?
WD:
I have been in London for almost 3 years. I came here for studying English and to do a master diploma in civil engineering which I just finished. Now I would like to work in London as a civil engineer and begin the importation of a product called panela from our family business in Colombia.

LLO: How does life in London compare to life in Colombia?
WD:
It took me almost one year to adapt to life in London, for the weather (in Colombia there are no seasons), the different food and different cultures. It was difficult to make good friends because everyone is always working or studying and don’t have time for friends. I miss my family and my friends. In Colombia I spend a lot of time with family and friends at the weekend having barbeques, playing football, dancing, eating out in restaurants. I’m impressed with the culture in London, the architecture and the history.

LLO: Favourite place to go dancing to Latin American music in London?
WD:
The Cuban in Camden Market, Salsa! on Charing Cross Road and Floridita in Soho.

LLO: Best place in London for a taste of authentic Colombian food?
WD:
Leños & Carbón on Rockingham Street in Elephant and Castle and The Latin Corner pub on Camden Road.

LLO: You were talking about your sugar cane plantation in Colombia where your family produces panela, a product that you plan to help import to sell in London. What is panela?
WD:
Panela is a product that is made with sugar cane, grown under the Colombian sun. It’s 100% natural and unrefined. It’s made in different presentations – compact in the shape of a square or circle or in powder form. My family has been producing this product for over 10 years with a team of 15-20 employees on our farm.

LLO: How is it used?
WD:
You can use it to make juice, cakes, sweeten tea and coffee. It’s a more natural substitute for more refined sugar.

LLO: Can you share a few photos of the production process and explain how it is made?
WD:
The first step is preparing the ground to grow the sugar cane on the plantation. Growing the sugar cane takes between 15 and 20 months depending on the type of plant. The plants are cut and transported to the factory to be processed. The sugar cane is passed through a machine where it is crushed and the juice is separated and cleaned through a filter. The juice flows through a series of three huge containers where it is boiled in each one growing thicker each time and changes to a slightly different colour. Then it is passed through more containers where it continues to thicken and the air is stirred out. It’s transferred into moulds where it sets for half hour into a solid form. When the product cools, it is packaged and ready to sell.



LLO: Where’s your favourite shop in London to pick up Colombian products you miss from home?
WD:
There’s a small shop in Elephant and Castle shopping centre that has cereals, beans, arepas, saltines, milo and different tropical fruits I use to make juice, yuca and plantains.

LLO: What are the biggest challenges you’ve had to overcome since moving to the UK?
WD:
I think it is the English. I didn’t know any English when I arrived in London. I started studying in a beginner course. Getting the post study work visa I have now was difficult too.

LLO: Best London discovery?
WD:
Mi novia!

Thanks Wilfredo!

For more Listen to a Londoner posts, click here.

If you have or know of a company interested in stocking panela imported from Wilfredo’s family farm, email him at wdiaz_29@hotmail.com.

Londoners: Joao

Summer rain. Quick, hard, soothing.

Summer Rain on South Bank

I always seem to meet people while wandering around London. Ducking under the bridge for shelter while the rain passed, I met Joao. He’s from Sao Paulo, Brazil. He’s been here almost two years, studying English in Central London and cleaning offices to pay his bills. He spent some of the time we were sheltered from the storm helping mothers carry their baby buggies down the steps out of the rain.

Joao