London Art Spot: Ahmet Barut

Ahmet Berut is a graphic designer, an illustrator, a photographer, an animator, a web designer, a Muslim with a passion for clarifying the misconceptions of his religion and, of course, a born and bred Londoner. The love of design started in primary school where Ahmet was fascinated by the design of storybooks while learning how to read. He graduated from university in 2009, sticking to the same career ideas he had way back then.

The core of his personal work is an effort to peel back the hard rind of negativity that lies between the peace inherent in Islam and the messages of fear and disapproval that have piled up since 9/11 and 7/7 became regular terms in the global media. Ahmet wants a bit of harmony in the world.

Beyond that, he has worked on creative projects with people like Dev.Soul (who is about to release a debut album) and is currently pursuing a 6-month internship at a charity-based organisation called L’Ouverture (www.louverture.co.uk) which he is enjoying tremendously.

Eventually, Ahmet would like to have his own freelance design company.

Dev.Soul, front of album cover

LLO: How long have you lived in London and how does this city influence your creativity?
AB:
 I’ve lived in London since I was born, and the city influences me in many more ways than one. London is a very interesting and unique place to live because of the vast diversity within its people and their backgrounds, be it class, ethnicity or faith. This unique setting conjures up an abundance of influence, which materializes into an atmosphere, which certainly makes you more conscious of the world. This has had an affect on the concepts behind my self-initiated and personal work. I use design to understand the world better and also try to help people understand certain aspects of the world, such as my background in particular. I think there is a need for people to come together in one way or another to try and understand each other better and to help break down walls, even in London, despite the fact that it’s tremendously multicultural.

Dev.Soul, CD design

LLO: What is your working process from brief to finished product?
AB:
 Once I read the brief, I distinguish the target market/audience and I pick out keywords, which I can use in the research phase. Before I start on the research, I jot down some initial ideas. I think the most important part of the working process is the research phase. I mainly undertake visual research into current trends and also I look into existing work, which relates to the brief. After research, I experiment with ideas based on what I have found. Once I’m happy with a certain style, I develop potential final designs. I create a variety of outcomes, which I show to the client to keep them updated with progress. On most occasions during this phase, the client chooses one or two for me to develop further, or sometimes they are happy with what I have produced as a final.

Dev.Soul, page 3-4 of CD booklet

LLO: Do you specialise in any specific field of graphic design and which aspect of design do you most enjoy?
AB:
I specialise in print work, however, I am also keen on specialising in motion graphics and web design. I particularly like motion graphics as I enjoy the working process of it and one of my ambitions is to work in the film, TV and gaming industry. I have also started to get into web design, as I have found that most of my work revolves around the web. There are also a lot of great opportunities once you have good web design skills.

 Dev.Soul, back of business card

LLO: Tell us a bit about your recent project “The Misunderstood Religion of Islam”. How did you come up with the idea?
AB:
I had undertaken “The Misunderstood Religion of Islam” project for my final major assignment at university. The aim of the project was to factually dispel the universal misconceptions that many people have about Islam. In the process this would educate people about the religion and also hopefully open their eyes to something they thought had no positive impact or role in the world’s history.

The final products comprise of an A5 booklet, accompanied by several posters. The booklet contains articles dispelling the 10 most common misconceptions of Islam with quotes from the Holy Qur’an and the Hadith’s (traditional sayings) of the Prophet Muhammad (peace be upon Him). The posters have vivid images with strong statements and questions, making people think differently about Islam.

A3 Islam, Front Cover

I came up with the idea in response to the unfair negative press Islam is getting in the media, especially in today’s global climate. I felt there was a moral need to address the misconceptions that have been created in all the confusion, which has stemmed from misinformation.

Unfortunately, on some occasions this confusion has led to undeserved hate towards Islam. This hatred is evident and can be seen across the Internet. For example, I would come across informative videos relating to Islam on sites such as YouTube, and around about 80-90% of comments on those videos were extremely negative – threats such as “Let’s kill all Muslims” or “They should all be kicked out of our country” etc. The latter consisted of misconceptions such as “Islam is a terrorist religion” or “Islam oppresses women”.  I feel that education is very important, because it is the only thing that will bring peace and unity.

People can take a look at the project here.

Misconception

LLO: What messages are you conveying through your work?
AB:
The main message I want to convey through my work is that not everything is what it seems. For instance, when you look deeper into something, it usually turns out to be different from what one would first assume. I tried to visually represent this connotation through “The Misunderstood Religion of Islam” project, by creating a notion of confusion and distortion through the typography.  I want to be involved in more projects that relate to these types of subjects that  hopefully make people aware of certain social issues.

Terrorism is not a religion – A3 poster

LLO: Which project are you most proud of so far and why?
AB:
The project I am most proud of is “The Misunderstood Religion of Islam” both ethically as well as aesthetically. I hope the project has cleared up any confusion that people might have had. I also hope that the project can be a platform for people to start discussions and debates. I think that the design style of the work has been successful in communicating the context of the project. It has also inspired me to experiment further with information design.

LLO: Who is your dream client and why?
AB:
I have two dream clients, the first one being Naughty Dog, a computer games company. They have worked on games such as Unchartered 2 & classics such as Crash Bandicoot. The reason why I would want to work for them is because working in the gaming industry as an art worker is one of my goals.

My second client would be an organisation such as Current TV, which is an experimental media company. I am very interested in the work that they do, especially in the documentaries they make about world issues. That is a field I would definitely want to work in. From the clients I have given, I don’t favour one over the other. I want to work towards gaining opportunities to work in both areas.

Summer Saturday performance club poster for L’Ouverture

LLO: Favourite London-based artists and designers?
AB:
I am very fond of a London-based artist/designer/illustrator who calls himself TWIY (Alex Chappell). He has a unique style in the work that he does. He ranges from print design, to illustration to painting. His work can be described in many more words than one, because I haven’t really come across many works like his. Some of the words that could be used to describe his work are unique, vibrant, exuberant, fresh amongst many more. People should take a look for themselves at his site. (www.twiy.co.uk)

LLO: How would you like to see your career develop over the next few years?
AB:
In the next few years, I want to gain as much valuable experience as I can. I also want to keep on developing my style of work, as I will be doing throughout my career. Ultimately, I would want to have enough knowledge and preparation to be able to set up my own freelance design business.

Calling all playwrights competition poster

LLO: What are you working on now?
AB:
I recently finished working on a marketing campaign to promote a website relaunch of L’Ouverture’s partner IdeasTap. I created a promotional video to attract people to the new site. I am also currently working on completing a promotional video to advertise L’Ouverture and their services.

Apart from working with L’Ouverture, I am also working on a variety of other external projects.

My main personal project I am working on is redesigning the style of my website and also updating my portfolio. I try to always update the style of my site (www.ahmetbarutdesign.com) as much as I can. This plays a big part in my training for web design, as I would like to gain a foothold in the web industry.

I have also just finished working with a recently graduated music producer who goes by the name of Dev.Soul. He will be releasing his debut album, so I branded his name and designed him a music album sleeve cover, album booklet and business card. I have already worked with Dev.Soul in the past on another project. This project was called “20th July 1974”. We collaborated in creating a visual audio documentary based on the Turkish Cypriot’s untold story of the Cyprus war in the 1970’s.

I am also currently involved in an ongoing self-initiated project, which carries on the work of “The Misunderstood religion of Islam” project, which hopefully helps people become aware of certain world and social issues and also makes people clear about the teachings and beauty of Islam.

Thanks Ahmet! 

For more London Art Spot interviews, click here.

Advertisements

London Art Spot: Danielle Dewitt

As Dani says herself, you might expect artwork from a native North Carolina girl to be quite “safe” and “homely”, but don’t be fooled. Dani’s illustrations and paintings are anything but, and since she moved to London, they have become even more open and experimental, all boundaries crossed. If you’re easily offended, turn back now. There’s a few safe entries back that way.

If you’re curious about what inspires this Central Saint Martin’s graduate to expose her inner fears and thoughts in such a way that may shock her neighbours back home, read on. She’s taken some time to tell us about why her work is so sexually blunt, how London gives her creative freedom and her plan to move to Oslo later this summer.

LLO: When did you first become interested in illustration and how has your work evolved while you worked toward your BA at Central Saint Martins?
DD:
 I have always been interested in the arts from what I can remember and especially illustration because it requires so much attention to detail and patience. I wanted to be a medical illustrator at first, I am fascinated with medicine and anatomy and still hope one day I can do something within the medical stratosphere. My time at CSM has definitely given me more self-discipline in regards to my working habits. It has taught me to explore my ideas more thoroughly and to formulate clear, well-executed pieces. I have found a love for painting with oils as well, which is something I was never really that interested in before. My work hasn’t really changed much overall, I have just expanded it into a few more mediums.

LLO: Has coming from the sticks in North Carolina to big city life in London changed the way you approach your art at all?
DD:
Art in North Carolina is quite, “homely” and “safe”, well most of it. People seem scared to offend anyone with their work. Coming to London, you see that that safeness doesn’t exist here and you are free to explore and create whatever you like with out fear of community persecution or exclusion. My work is a lot more free now that I’m here, and a lot more chaotic.

LLO: Much of your work is very sexual in nature, very focused on the female body flaws and all. Can you talk a bit about the messages in these images?
DD:
We’re our most vulnerable when we’re naked. Being nude changes the way people behave. Some embrace it, some can’t stand it. All of our flaws are visible and accessible to every human eye and every particle floating in the air. Being nude bonds us with our surroundings. When I draw a figure, I see it in my minds eye in total perfection, nude and flawless. But when it comes down onto paper, it becomes all of my insecurities and flaws, all of my pain and resentment for myself. The sexual outlet is the trusting, giving, ‘exposed’ and freed self and something I want to give to my viewers, the ability to bear the scars of  their life with out fear. We women hold a lot inside of us, and mask our perceived flaws in many different ways it seems. I want to make work that liberates the body of unnecessary social constraints by bluntly stating their existence and trying to deconstruct the need for us to hide from them.

LLO: It’s also very detailed and a lot of it is quite surreal. You’ve got a great imagination. Tell us a bit about what inspires your work?
DD:
My work is usually inspired by events in my life, past and present, the quantum world, or perhaps something that really catches my eye in the media. I go through different phases of what elements I like to use in my work, like certain patterns or styles. My world on a day-to-day basis is quite surreal to be honest, weird things always happen to me, or things I simply cannot understand. I also tend to make up stories in my head about certain people I am surrounded by, or on occasion when I’m walking around I hear harmonies of sounds I suddenly feel like I’m in a musical and that leads to more ideas and the work takes off from there. I also spent a lot of time in hospitals when I was growing up, surrounded by a lot of unique characters. Their world is sometimes completely different from ours and very bizarre at times, these experiences inspired a lot of my work to this day.

LLO: You also do some painting, animation and graphic design. Do you find that changing mediums alters your subjects and style or do you take a similar approach despite the obvious differences?
DD:
 I definitely take a similar approach when painting, not so much when it comes to graphic design. Graphic design is a sort of ‘sanitary’ medium for me where I like to make more minimalist work, while utilizing a broader range of colours. Painting is just a mess, a mash of liquid pixels and I tend to want to make more abstract works when painting, however I always seem to be lured back to creating an intricate painting inclusive of the human form.

LLO: Which piece of work are you most proud of and why?
DD:
I can’t say that I’m particularly proud of any single work I’ve made, I feel satisfied when they are completed, but usually not jumping to show them off. I have a very bad habit of destroying my work long before anyone ever sees it. I am truly resentful of my illustrations and paintings at times and have set alight many of them in the past, tossed them out the window of my car onto the motorway or simply flushed them down the toilet.

LLO: What’s the next step for you in terms of career and how you see yourself moving forward in the next few years? Do you plan to stay in London?
DD:
I’m not exactly sure what’s next. I would like to display my work in galleries all over the world, I would like someone to collect my work, I would like to sell my work, but then again what artist doesn’t! I will probably end up working more on the graphic design side of things or doing freelance jobs or perhaps working in a design firm if all else fails while still doing art in my spare time. I’m getting married in August to a one Jan Schjetne, fashion photographer extraordinaire, and will be moving to Oslo, Norway in July to settle amongst the Scandinavians. I am really excited about this and hope to create loads of new work and add some new mediums to my current work.

LLO: Do you have a favourite London gallery or place to see other artists at work?
DD:
I get really inspired at the National Portrait gallery, the Barbican and the Haunch of Venison. I love the name “Haunch of Vension” and that’s what first led me to this gallery. It’s an erie sounding name to me and this promises many good things contained within. I also like the White Cube Gallery near Old Street, and the Riflemaker Gallery they always have something good on.

LLO: What other London-based artists do you admire?
DD:
I like a lot of the YBA’s, and I love the large fun works of Anish Kapoor.

LLO: Where can we see some more of your work?
DD:
I have a website, cargocollective.com/EHFO, I update it fairly regularly. You can also drop me an email on there if you have any questions, or thoughts you want to share: dewittd@gmail.com.

Thanks Dani!