Emptying her vivid imagination onto each large canvas she paints, Ji Seon invites us into a world that resembles this one but truly exists only in her head. With a vibrant palette she works with sweeping brushstrokes, a concern for space and a flair for creating texture in her landscapes. She wants her work to evoke feelings of displacement and loneliness, and the sheer size of the canvas mixed with the deserted scenery does make you realise that there is a massive world out there.
Her recent work draws on inspiration from traditional watercolour painting from her native South Korea and she has a show on in Hoxton at the moment with two other South Korean artists.
For this week’s London Art Spot, Ji Seon talks about a certain beautiful place in London that she would love to paint, tells us where she finds inspirateion for her landscapes and what to expect at her exhibition.
LLO:Which aspects of London life most influence your creativity and in which way?
JS: I have enjoyed living in London for the past 6 years. I think London is a really great city in which I have great experiences, in urban life, and historical and natural landscape. This environment in London motivates and inspires my work. It is also easy to access plenty of interesting exhibitions in London. The intriguing shows open up new possibilities of exploring and developing my practice as well.
LLO: Give us an overview of your working process, from initial idea to final painting.
JS: First, I try to decide which kind of space I would like to paint referring to landscapes I remember from my previous travelling experiences and image books, especially travel magazines. After words, I purely use my imagination to describe the place, and paint my imaginary world.
LLO: Which piece are you most proud of at the moment and why?
JS: If I have to choose one painting, it would be “Orange Cliffs and White Crystal”, because I feel that this painting is more realised in connection with the main concept, which is about playing with marks and colours in an imagery landscape.
LLO: You work with a lot of vibrant colours in scenery that would in real life be quite subdued. What does this add to your landscapes?
JS: I am very interested in creating an imaginary landscape in an artificial way, so I always use really bright and powerful colours in my painting.
LLO: Do you find that your South Korean background inspires your work?
JS: I have produced paintings using different aspects of a Korean sense of space and a western sense of perspective. One of the most significant influences is Korean traditional landscape painting, so I have tried to mix between this influence from my background and my understanding of contemporary western art.
LLO: Your latest work revolves around imaginary landscapes. Is there a place in London that you would like to paint using a similar approach and technique?
JS: I really like Holland Park, particularly Kyoto garden. It is a really beautiful place to get inspirations and motivation for my works.
LLO:Other London-based artists you admire?
JS: Peter Doig. His use of colours and his technique are so interesting and impressive.
LLO: You recently finished your BA in Fine Art from Slade. What are your plans for 2011?
JS: I have just started Master course at Slade from this September 2010. The Master at slade is 2-years course, so I will keep continuing to study this course in 2011. Plus, I am plannig to have an exhibition in Seoul, South Korea in July or August, 2011.
LLO: You have an exhibition from 2-23 December at Arch 402 in Hoxton with artists Gyeong Yoon An and Chinwook Kim. What can we expect from the show?
JS: When I was a BA student, Gyeong Yoon An and Chinwook Kim were MFA students at Slade. At the time, I just thought their works were very interesting, but I couldn’t find any connection between my painting and their works. When we decided to have the show “Imaginary Landscape” at Arch402 and put our works all together, I was so surprised that we do have really a huge connection, which is that our works are coming from our own imagination and delivering viewers into our imaginations, so people can feel and see our imagination world.
LLO: What are you working on now?
JS: I am making a huge imaginary landscape painting as usual. In order to do more challenge with my painting, I am exploring the intersection of abstraction and representation through the imaginary landscape.
Thanks Ji Seon!
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