Photographer Kathy Archbold was born in Essex, but has spent most of her life in London. After a foundation art course at Harlow she attended Newport Art School in South Wales, which, she said, was only really notable by the attendance of a student dropout called ‘Woody’ – who later became Joe Strummer.
After her fair share of bartending during college, she found a job painting faces at a mannequin company. A few years later, she left to run a stall in Kensington Market, but because the skill she picked up painting mannequins is so peculiar, she continues to take on freelance work today. In 1983, Kathy relocated to New York to train mannequin artists. She returned to London in 1987 and has remained, in various parts of the city, ever since.
KA: Although I’ve done quite a lot of illustration work, I always thought of myself as a pretty rubbish photographer. I knew how I wanted my pictures to look, but never got to grips with the technical aspects of [photography] or owned a decent camera and getting a film back was always a real disappointment. I only actually joined Flickr as a good way of keeping in touch with a pal who moved to Australia. But in doing so, I discovered that with digital and Photoshop, I could maybe alter my images to look the way I intended. I know a lot of people are opposed to any form of photo editing, and I’m not always a fan of what I call ‘The Science Fiction Look’, but I can say quite honestly that no one would even notice my pictures, especially when I started, if I hadn’t or didn’t edit them. Through Flickr, I discovered a lot of photographers whose work I really admired, and have been trying to emulate ever since, with varied results! I know Photoshop is open to much misuse and abuse, and neither is it quick or easy to learn. There’s a temptation to do something just because you can, and if I look at my earlier images, they often look overdone to me now. But four years on, I’m still learning, and although I am now experimenting with toy and vintage film cameras to get the look I want, My digital point and shoot remains constantly with me at all times, and has still produced most of my favourite photos.
LLO: How does London influence your creativity?
KA: I think I’m definitely a city person, and what I miss about London if I leave is a certain diversity you don’t really get anywhere else. On the tube the other day, I sat opposite a Japanese girl wearing a flat cap, Jimi Hendrix T shirt, and talking to a friend about an Indian meal in a Manchester accent.
KA: I first moved here in 1972. Although I left in ’83, so it hasn’t been consistent. But I’ve remained here now since 1987.
KA: A Panasonic Lumix TZ2 – a point & shoot. I’ve had it about 3 years, and although there are times now when I’d like a big serious ‘proper’ camera, its just so damn handy to carry around, has a great 10x zoom and people don’t notice it. As I quite like a ‘vintage’ look, I’ve also got some toy/old film cameras like a Diana Mini, Holga, Viv, etc. I just got a seconhand Lomo lca which I’m really looking forward to using, but the Panasonic is still the one I use most.
Strand Station: closed in 1994, now a photobooth
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