Listen to a Londoner: Kirsty Allison

Listen to a Londoner is a weekly interview with a Londoner – someone who lives in this city, born here or elsewhere. If you’re up for being interviewed, email littlelondonobservationist@hotmail.co.uk.

Kirsty Allison
Image by Kelli Ali

Novelist, film producer, fashionista, rock n’ roll queen, journalist, Ibiza party girl, teacher, DJ, editor, stylist, poet, traveller and, most importantly, born and bred Londoner, this is Kirsty Allison…

LLO: As a born and bred Londoner, what are the biggest changes you’ve seen over the years? Anything in particular you miss?
KA: I used to frequent a goth club called the William Morris in Wimbledon, I drank snakebite and black, and pretended to be an art student before I became one.  I was thirteen or fourteen.  I’d like to take a time machine back to those times, and have a talk with myself.  London will always have speakeasys and people trying to fight the powers that they think restrict them, it’s the nature of British culture, thankfully, like the city itself, it’s all about contrasts.  The best advice I got at primary school was being told to look up – at buildings…there’s more sky around London than there used to be – rooftop bars, penthouses, I like feeling elevated, rather than suppressed by the towering infernos of our city, although they inspire me.

Image by Kelli Ali

LLO: Which area of London are you most familiar with? Write us a mini-poem about why it rocks.
KA: Shoreditch, is my bitch, She’s the devil to my itch, Roaming there, my artistic lair, Makes my teenage dreams fall fair.  The seen it all before they were twelve year olds, or the enthusiastic old boys and girls, We’re hunting for where we lost our souls, and this is where I like to roll.

LLO: You’ve challenged yourself to wear a different outfit every day for a year. If you were to do it again next year, which five London shops would you hit first to build up your wardrobe?
KA: I’d drop by Fiona Doran’s (aka Mrs Jones) Emporium on St John’s Street. She’s an alma mater who’s guided me like a lady with a lamp in her dress for years.  Beatrix Ong has recently opened a shop in Sloane Street, she knocks class and sex into heels.  I collect Alexander McQueen, so it’s hard to think of a wardrobe without some of his original pieces.  The Vivienne Westwood shop at World’s End features clothes she’s sewn herself.  The Shop below Maison Bertaux in Soho is great, and I love Kokon Tozai.  Off Broadway rocks, set up by the divine Donna Kernan.  Concept stores like http://www.ln-cc.com and Dover Street Market…I could go on…Liberty’s is a pleasure to shop in…whoops, how many was that?!

Image by Gaynor Perry

LLO: Ambit just featured an excerpt from your first novel Medicine and you made the cover! You’ve got three sentences to sell your book. Ready, go…
KA: So tough to compress a work into a small space, but, it’s set in 90’s Shoreditch in an exclusive scene where fashion and music industry myths are accepted as truth.  It’s rock n roll to the max, following the downward social adventures of a fashion designer who starts managing a band, Chernobyl, fronted by a male model.  As their fate becomes stardom, she travels from Ibiza to Paris and a world tour, letting her fashion designs become increasingly bonkers.  It’s a funny tale which makes people cry.  I’ve been working on it for 15 years…

LLO: You’ve been a celebrity stylist and a model, coming across some influential names in the fashion industry. Which up-and-coming London-based designers should we keep an eye on?
KA: Louise Amstrup. Holly Fulton. Elliot Atkinson. James Long. SD Yohans.

LO: Best London discovery?
KA: Churches and graveyards are always good value.

LLO: I’m in London for one night and want to veer off the tourist trail for some food and drink. Any fabulous recommendations?
KA: I like La Trompette in Chiswick, I’ve taken my mum there.  The Seven Stars, off Fleet Street behind the law courts is entertaining, it’s proper characterful landlady stuff.  If you want to keep it cheap, C&R on Rupert Court does a good Singapore Laksa, and follow it with a few drinks at The Coach & Horses in Soho, where every table has served me as an office.  Cay Tre on Old Street is always busy, but if you like Vietnamese it never disappoints.  Lemonia on Regents Park Road.  Wholefoods Market is a palace.  Cecconi’s is proper Jackie Collins territory.  A curry in Southall. There are always new places everywhere.

Image by Kelli Ali

LLO: In the late 90s, you were DJ-ing internationally with the likes of Kris Needs, Irvine Welsh and Howard Marks including a residency at Manumission Motel in Ibiza. Where’s your favourite place in London to party the weekend away?
KA: The party is where you’re at.  Aside from that, The Sanctum Hotel in Soho is cool.  Quintessentially is fun.  The lure of a private member’s bar is something I fall victim to but I love a decent bass, and there are so many warehouse parties going on again, it’s easy to get lost partying.

LLO: Tantric Tourists is one of your latest creative projects. Tell is a bit about what inspired it. Any London screenings or events scheduled?
KA: Tantric Tourists follows a self-proclaimed guru as she escorts 10 American students on a quest for enlightenment across India.  It’s a comedy road movie.  The director, Alexander Snelling, and I first met the guru, Laurie Handlers, in India where she was “whirling on the beach”.  We did a test shoot at a workshop she was hosting in Primrose Hill and cracked up at the rushes.  It was too good a story to turn down.

It goes on limited release from Valentine’s Day.  The DVD is available with a discount by becoming a fan on Facebook.  More info: www.tantrictourists.com

LLO: Do you have a favourite London-based book or a great bookshop to recommend – one of those cosy ones with the slightly musty basement smell or great in-house coffee shop?
KA: This is mainstream but I used to like Borders, they had chairs, it was an easy place to get lost in. Waterstones in Piccadilly does a good job, as does Foyles (if only the Westfield rates weren’t so high they’d still have a second floor).  There are many indie shops doing a great job. Broadway Books is hitting the mark. And my local library has a cafe in it, long may it last.  The Daunts in Marylebone is great because it has all these wonderful wooden bannisters, and they are so excellent at travel books.  Judd Street Books is lovely for art books and oddities, towards Bloomsbury from Kings Cross.  The Oxfam bookshops are always great.  The customer service in Hatchards is good. I love a good bookshop, I clear my head by walking through them, flicking through those who manage to hold their fort on the shelves.  The Espresso Machine is a concept I’m excited about – it’s so called because in the time of a coffee you can order whatever book you desire in whatever paper you choose – so if I wanted Lolita in baby pink, Bob the Paedo is my uncle…(almost) any bookshop or library is serving the future of England a favour.

Image by Laurence Tarquin Von Thomas

Thanks Kirsty!

For more on Kirsty’s fascinating life, lookie here: www.kirstyallison.com

For more Listen to a Londoner posts, click here.

Guest Post: London is Silent in Tears

Written by Efemena Agadama who has come to London from Nigeria to study. He often contributes articles on human rights issues to his Amnesty International blog and is interested in writing for theatre production.

_________________________

With a plastic empty plate in hand
Blue in colour as the sky
Flat as a tiny plank
With pointed Hills as bones protruding
From scaly skin
Pants torn by the kindless fire
Eyes falling inside daily
Saliva lost from mouth
And whitish tongue
Whitish tongue
Tongue searching for food
His soul sinks in despair
Without food for four days
He limps
With fly infested injury
To an only market
Now infested with corpses
collapsed homes
Full of corpses of the young and the old
He searches vaguely
From market to market
Home to home
Mosque to mosque
Church to church
Shrine to shrine
Through floods
Bush paths
In sun
In rain
Yet plate still empty
EMPTY!
Searching for someone
A loving arm
Not sympathy
But a loving arm.

That furious earthquake, man-eater shark, the earthquake that ran through Haiti with its army of vampires, each one with a million swords drawn, slaughtering innocent children, United Nations peacekeepers, pregnant women, brave and coward men, destitute, the blind, lame, deaf and even imbeciles has left in its trail sorrow, tears and corpses. Haiti, a poor country,  is now a home of uncertainty, a garden of withered flowers, a town of dining ghosts, a farm of famine and a party of confusion. You furious earthquake, why did you chose the poor Haiti to unleash your weapon of mass destruction?  Why did you let your calabash of hot coals to fall there – revealing your bloody secrets? Why?  Didn’t you see the welcoming mountains where nobody lives?

Now London is silent in tears. London weeps. London is showing that it is human and has blood in its veins. Just in a twinkling of an eye, it has led the raising of millions of pounds for the survival of those who are waiting to die of hunger, sickness and your monstrous shockwave. The media war between the Labour Party and the Tories has been weakened, the tears of fallen soldiers from Afghanistan have been quieted to the lowest level and all attention geared towards the horror, the horror of your devastation. London is silent in tears. London weeps, but not all tears do come to the eyes. It is much easier to wipe tears that come to the eyes than to wipe tears that lay in our hearts.
Continue reading

London Art Spot: Gill Apple

Meet Gill Apple – creative in every sense of the word, but a tattoo artist at heart, which is soon to become a full-time career. Gill packed up home in sunny South Africa five years ago and found herself some 9,000 kilometers away under the grey sky of London. Despite escaping every winter, she’s still here every time the dreaded cold season passes.

It was in a small town called Vereeinging, just south of Jo’burg, where Gill grew up – often climbing trees to look over the big city for her first perspective of the wider world. She met some fascinating people there: artists, goths, punks, skinheads, drug dealers. It had a strong subculture where everyone belonged – a little Camden. Some of her fondest memories were created in a bar nearby called Rafterz where some great musicians began careers. Rafterz never closed, so Gill and her friends never left. Between periods of studying and unemployment, they would all gravitate there, listening to alternative music, playing pool, jumping off the balcony when they finally headed home.

Happiness 1

When Gill’s not tattooing, she’s reading books on Hindu philosophy by the great Sages. Currently, she’s got The World Within the Mind on her bedside table. The books she reads, as well as the diverse selection of music in her collection, tend to relate to another world – much different from everyday life. These things remind her that there’s more than work and money. Ramdom fact relating to both music and another world: Gill plans to have “Return to Sender” by Elvis, played at her funeral. In her free time, she paints and draws emotions, currently focussed on a series called “Study in Happiness” where all of the pictures are ironically sad.

She also writes poems like this on that never rhyme:

‘Push the splints of your disillusion into me
Through me
Holding me
Deep into the earth
Over which fire, water and air find entrapment and redemption
Give to me the very essence of being
The secrets some dare tell
Blow the soul of a weeping willow around what i despise
and then
move me to the foot of a forthcoming end
for i failed to hold the sun
when i could no longer see’

Gill’s London lies mainly in Camden, but on a night out you might catch her dancing the night away anonymously, lost in her daydreams at Slimelight (Isllington) or Electric Dreams (a regular club night at The Purple Turtle in Camden or The London Stone in the City). If you meet her there, she will play up the dream and tell you stories about a life that is not her own. Meet her in daylight, she will tell the truth. For this week’s London Art Spot, Gill’s shared a bit of that truth as you just read and shows off some of her tattoo designs:

LLO: How does living in London influence your creativity?
GA:
 London to me is busy and bursting at the seams with a contradiction of cultures and experiences; it has a million little worlds inside it. Where you move around in it defines how your life will unfold. At times I feel like a voyeur. This strange sense of feeling isolated within one of the busiest places  in the world inspires me to draw and create my emotions. When I create, I am interacting and documenting my time here. I can most vividly remember how I felt in a certain moment when I look at something I’ve created. Obviously, being in a very creative city forces you to push the boundaries.

LLO: How long have you been tattooing?
GA:
4 years

LLO: Which London-based tattoo artists do you most admire?
GA:
Kamil Mocet – I love his bold designs; they remind me of oil paintings

LLO: Best London tattoo studio?
GA:
Evil From the Needle

LLO: Which design are you most proud of and why?
GA:
I guess my newest design – the arm piece on myself. It is a freehand design with red flowers and grey wash backgrounds. The colours work well together and the design flows. But having said that, every piece I do I always see areas I can improve. I’m still in search of perfection… 

LLO: Describe your style.
GA:
Art noveau, organic. I love the flowing freehand designs, patterns that weave and flow. I love using only black or a few bold colours offset with grey shading. Flowers are my current ‘theme’, I guess, with Japanese backdrops or pattern work.

LLO: How do you see your art fitting into your future?
GA:
In the future I plan to only tattoo and create art pieces, so to answer your question, art will be my life in the future (right after I quit my day job).

LLO: What obstacles would you face to get into the business of tattooing full time?
GA:
Mostly getting the capital and confidence to say ‘right thats it, I’m opening up my own shop’. I believe most obstacles are self-created, that we are our own obstacles to success.

LLO: How do people get in touch with you if they’re interested in your work?
GA:
 Mail me – w.gillian@live.co.uk

Thanks Gill!

For more London Art Spot interviews, click here.

Smoke: A London Peculiar

This little 52-page gem is essential reading for anyone in love with London.

For starters, the description on the website is enough to make one  swoon: “… a love-letter to London, to the wet neon flicker of late-night pavements, electric with endless possibility and the soft dishevelled beauty of the city’s dawn… to the overheard stories and unexplored histories, the facts and the fictions, the accidental poetry and fugitive art of graffiti-slashed suburban stations and rain-splashed shopfronts… the out-of-shot lives half-glimpsed from a train window, or from a phone number scrawled on the back of a Travelcard, dropped on the night-bus stairs…”
(I wasn’t going to paste all of that, but I couldn’t bare to chop any out because it’s lovely.)

Editor Matt Haynes and his contributors dip into the pockets of London that are often forgotten and empty them out for us through creative writing and photographs that expose London’s lint as well as its little known treasures. “A London Peculiar” is accurate indeed because this is one of the most unique publications I’ve seen that explore the city so thoroughly in print. It was one of my first London discoveries when I moved here and still one of my favourites. 

Issue 15 is on shelves now.

Photo on Londonist: Poetry at the British Library

One of my photos that I posted here a while ago was used last week on Londonist.com. It was put on a post about the Josephine Hart Poetry Hour at the British Library, where famous people like Bob Geldof, Bono and Jeremy Irons are invited to read well-known poetry by the likes of Robert Browning. I haven’t been, but apparently it’s worth checking out so I thought I’d pass that one along…