sexual | Little London Observationist

Calling various bits of East and South London home for over a decade, illustrator and animator David Stevenson can’t imagine living anywhere else. He tells me the average person only stays in London for seven years so he counts this as a tiny moral victory. He was born in Wolverhampton.

David’s work is influenced by Jack Kirby, Walt Simonson, the internet and literally whatever the last thing is that he saw or read. He’s always doodling stupid stuff (his words, not mine!). He also admits to wasting far too much time in front of a computer. He draws things for anyone who will pay.

Recently married, he drew himself as a gorilla on his wedding invitation so keep that in mind when you get to the question about his self-portrait in this week’s London Art Spot interview. He also lets us in on the bizarre way he heard of Michael Jackson’s death and shows off an illustration he feels really captures Sean Connery’s sexual magnetism.

LLO: How does living in London influence your creativity?
DS: Obviously there are loads of creative things going on in a city this size, but mostly it’s the people. When you hit a creative snag you can get out of the studio, jump on a bus and just people-watch until you buck your ideas up.

LLO: A lot of your illustrations are comments on current events or the arts. What inspires you and what’s your favourite source of daily news?
DS: Rumour, opinion and word of mouth. And by word of mouth, I mean the internet really. You can hear the news anywhere now – and quicker than the proper news channels. The way I heard about Michael Jackson’s death? An orc told me, in World of Warcraft. Of course I googled it; you don’t just take the word of an orc you don’t know. But I like that randomness.

LLO: You’ve had some big clients like Amnesty International, Orange and Warner Brothers. Who’s your dream client?
DS: High profile clients are useful, because they do open the door for more opportunities. But if you’re involved in something genuinely good, chances are people will hear about it.

LLO: I hear you also do some comedy nights. Tell us something funny?
DS: I’m not one of those funny comedians. I do stand-up pathos; roughly five minutes of quivering my lip, then a single tear trickles down my chin. It’s very moving. Some audiences have moved right out of the building.

LLO: Where can we catch your next stand-up gig?
DS: The London comedy scene is pretty quiet during the summer months, as everybody decamps to Edinburgh. So I’ll be chilling out until Autumn, making an effort to be as unfunny as possible.

LLO: What sort of animation projects have you worked on?
DS: Very quick stop-motion videos for songs, mostly written by my good friend Rob Manuel. Generally we go for a very fast, hand-made feel to keep the energy high. It’s more immediately satisfying using objects in the real world than being stuck in an animation programme.

LLO: If you were to do a self-portrait illustration, what would it look like?
DS: Me. It would look like me. I hope.

LLO: Which illustration are you most proud of and why?
DS: I like my picture of Zardoz, which I’d say totally captures Sean Connery’s sexual magnetism.

LLO: Are there any public figures in the spotlight at the moment you’ve got your eyes on to illustrate?
DS: Ed Balls is so pleasingly ugly that I really hope he does more stuff to get on the news. Like eat some orphans or something.

LLO: Which other London-based artists do you admire?
DS:
Hartwig Braun – Illustrator
Duncan Smith – Children’s Illustrator
Daniella Baptista – Photographer
Gerald Scarfe – Legendary Cartoonist