Listen to a Londoner: K Anderson

Listen to a Londoner is a weekly interview with a Londoner – someone who lives in this city, born here or elsewhere. If you’re up for being interviewed, email littlelondonobservationist@hotmail.co.uk.

K Anderson, 28

K Anderson plays ‘lesbian music by a boy’ – confessional, conversational songs about the important things in life – getting older, bad sex, and needing a special someone in your life who can shave your back hair for you.

LLO: Which aspects of London life most influence your creativity?
KA: I think the randomness of London life is what is most inspiring. Turn a busy street corner and you could walk into a makeshift market, a film shoot, a drunken punch up or a protest march – you just never know. Speaking of random, the other day I ran into a girl who I went to primary school with on the other side of the world. My head is still spinning about that.

LLO: Where are you from originally, how long have you been in London and what brought you here?
KA:
This is always a bit confusing: I was born in Scotland, but emigrated to Australia with my family when I was 8, and then moved to London when I was 22. My friends in high school were obsessed with Oasis, and I was obsessed with the Spice Girls, so England was the obvious place for us to plot our escape to. I was the only one who actually managed to move here, though…

LLO: Tell us about the making of your video for “Shrug”. Lots and lots of feet…
KA:
I carried a video camera with me for a few months, and sheepishly asked all of my friends to dance for me when I caught them in a good mood.  I wanted a light and breezy video to go with ‘Shrug’, which is one of those toe-tapping songs disguising a sinister lyric. The hook of the song – ‘You want to call what we do love, I want to call it dirty sheets’ – keeps getting me into trouble with prospective romantic partners…

LLO: Favourite place in London to spend a Saturday night out on the town?
KA:
My favourite club night is ‘Unskinny Bop’, which is held at The Star of Bethnal Green. They always play totally random songs, and so you find yourself dancing to tunes you haven’t heard in years and years. Expect Betty Boo followed by The Temptations, Fuzzbox, and The Backstreet Boys. Amazing!

LLO: What’s the best part about living in your postcode?
KA:
I live in Stoke Newington, and although there are a number of pushchairs to avoid when walking down Church Street, I don’t think I would want to live anywhere else. There is a real sense of community here, and everyone I meet is fiercely proud of this little village. Oh, and there’s an amazing vegan stall at the local farmer’s market.

LLO: I hear you’ve been inviting people into your big new bed. Tell us more.
KA:
I’m slightly modest when talking about my music, but if you start me talking about my bed you won’t get me to shut up! It’s a super-king-size, and I have been madly in love with it since I bought it last year. I started a video series, ‘In Bed With K Anderson’ as a way of not only showing it off, but the talents of my many singer/songwriter friends. The premise is simple – people come over and sing a cover of a recent hit song in my bed with me. It’s been such an inspiring project for me, and it’s great to discover they way other people approach music making.

LLO: While you were in bed singing Rihanna/Eminem cover, you wore a t-shirt with iron-on letters that says “vegans make better lovers.” Are you vegan? If so, what’s your favourite place to go out for vegan food in London?
KA:
I am, indeed, a vegan. I would have to say that my favourite place to go in London for vegan food is RootMaster (www.root-master.co.uk/) – it’s an old routemaster bus which has been converted into a bustaurant (see what they did there?), and has delicious pizzas. Oh, and the cheesecake is quite delicious too.

LLO: What’s your favourite unique London discovery?
KA:
Candid Café, which is behind Angel station, is just lovely. In an area which is riddled with Starbucks, Café Nero and Pret a Manger, it is nice to find a little, unique space which sells plenty of varieties of teas and has proper, worn-in couches to spend an afternoon lazing in. What’s especially good about it is that there’s almost always a place to sit!

LLO: You just launched your album, The Overthinker. Why should we immediately pick up a copy and have you thought about what’s next?
KA:
‘The Overthinker’ is a snapshot of London life for an unsure 20-something year old; someone who is no longer cocky enough to believe the world will bend at his whim, but also not yet fully comfortable with the person he is becoming. It is at times awkward, brash, and comforting. At all times, though, it is honest. Perhaps too honest.

For the future, I am most looking forward to doing more writing – bringing out an album is hard work! Before that, though, there will be more ‘In Bed with K Anderson’ sessions and music videos to accompany songs on the album. I will also be hitting the road soon, visiting different parts of this country with my guitar on my back…

LLO: What’s your favourite place to play a gig in London?
KA:
I love playing at the cabaret venue Royal Vauxhall Tavern, because it has a proper stage, lovely sound, and a really appreciative audience. Oh, and it’s probably one of the only venues I play at in London which has its own dressing room. It may not be swanky, but it’s rather fun telling people that you have to go to the dressing room to get ready.

Thanks K!

For more Listen to a Londoner posts, click here.

London Art Spot: Ahmet Barut

Ahmet Berut is a graphic designer, an illustrator, a photographer, an animator, a web designer, a Muslim with a passion for clarifying the misconceptions of his religion and, of course, a born and bred Londoner. The love of design started in primary school where Ahmet was fascinated by the design of storybooks while learning how to read. He graduated from university in 2009, sticking to the same career ideas he had way back then.

The core of his personal work is an effort to peel back the hard rind of negativity that lies between the peace inherent in Islam and the messages of fear and disapproval that have piled up since 9/11 and 7/7 became regular terms in the global media. Ahmet wants a bit of harmony in the world.

Beyond that, he has worked on creative projects with people like Dev.Soul (who is about to release a debut album) and is currently pursuing a 6-month internship at a charity-based organisation called L’Ouverture (www.louverture.co.uk) which he is enjoying tremendously.

Eventually, Ahmet would like to have his own freelance design company.

Dev.Soul, front of album cover

LLO: How long have you lived in London and how does this city influence your creativity?
AB:
 I’ve lived in London since I was born, and the city influences me in many more ways than one. London is a very interesting and unique place to live because of the vast diversity within its people and their backgrounds, be it class, ethnicity or faith. This unique setting conjures up an abundance of influence, which materializes into an atmosphere, which certainly makes you more conscious of the world. This has had an affect on the concepts behind my self-initiated and personal work. I use design to understand the world better and also try to help people understand certain aspects of the world, such as my background in particular. I think there is a need for people to come together in one way or another to try and understand each other better and to help break down walls, even in London, despite the fact that it’s tremendously multicultural.

Dev.Soul, CD design

LLO: What is your working process from brief to finished product?
AB:
 Once I read the brief, I distinguish the target market/audience and I pick out keywords, which I can use in the research phase. Before I start on the research, I jot down some initial ideas. I think the most important part of the working process is the research phase. I mainly undertake visual research into current trends and also I look into existing work, which relates to the brief. After research, I experiment with ideas based on what I have found. Once I’m happy with a certain style, I develop potential final designs. I create a variety of outcomes, which I show to the client to keep them updated with progress. On most occasions during this phase, the client chooses one or two for me to develop further, or sometimes they are happy with what I have produced as a final.

Dev.Soul, page 3-4 of CD booklet

LLO: Do you specialise in any specific field of graphic design and which aspect of design do you most enjoy?
AB:
I specialise in print work, however, I am also keen on specialising in motion graphics and web design. I particularly like motion graphics as I enjoy the working process of it and one of my ambitions is to work in the film, TV and gaming industry. I have also started to get into web design, as I have found that most of my work revolves around the web. There are also a lot of great opportunities once you have good web design skills.

 Dev.Soul, back of business card

LLO: Tell us a bit about your recent project “The Misunderstood Religion of Islam”. How did you come up with the idea?
AB:
I had undertaken “The Misunderstood Religion of Islam” project for my final major assignment at university. The aim of the project was to factually dispel the universal misconceptions that many people have about Islam. In the process this would educate people about the religion and also hopefully open their eyes to something they thought had no positive impact or role in the world’s history.

The final products comprise of an A5 booklet, accompanied by several posters. The booklet contains articles dispelling the 10 most common misconceptions of Islam with quotes from the Holy Qur’an and the Hadith’s (traditional sayings) of the Prophet Muhammad (peace be upon Him). The posters have vivid images with strong statements and questions, making people think differently about Islam.

A3 Islam, Front Cover

I came up with the idea in response to the unfair negative press Islam is getting in the media, especially in today’s global climate. I felt there was a moral need to address the misconceptions that have been created in all the confusion, which has stemmed from misinformation.

Unfortunately, on some occasions this confusion has led to undeserved hate towards Islam. This hatred is evident and can be seen across the Internet. For example, I would come across informative videos relating to Islam on sites such as YouTube, and around about 80-90% of comments on those videos were extremely negative – threats such as “Let’s kill all Muslims” or “They should all be kicked out of our country” etc. The latter consisted of misconceptions such as “Islam is a terrorist religion” or “Islam oppresses women”.  I feel that education is very important, because it is the only thing that will bring peace and unity.

People can take a look at the project here.

Misconception

LLO: What messages are you conveying through your work?
AB:
The main message I want to convey through my work is that not everything is what it seems. For instance, when you look deeper into something, it usually turns out to be different from what one would first assume. I tried to visually represent this connotation through “The Misunderstood Religion of Islam” project, by creating a notion of confusion and distortion through the typography.  I want to be involved in more projects that relate to these types of subjects that  hopefully make people aware of certain social issues.

Terrorism is not a religion – A3 poster

LLO: Which project are you most proud of so far and why?
AB:
The project I am most proud of is “The Misunderstood Religion of Islam” both ethically as well as aesthetically. I hope the project has cleared up any confusion that people might have had. I also hope that the project can be a platform for people to start discussions and debates. I think that the design style of the work has been successful in communicating the context of the project. It has also inspired me to experiment further with information design.

LLO: Who is your dream client and why?
AB:
I have two dream clients, the first one being Naughty Dog, a computer games company. They have worked on games such as Unchartered 2 & classics such as Crash Bandicoot. The reason why I would want to work for them is because working in the gaming industry as an art worker is one of my goals.

My second client would be an organisation such as Current TV, which is an experimental media company. I am very interested in the work that they do, especially in the documentaries they make about world issues. That is a field I would definitely want to work in. From the clients I have given, I don’t favour one over the other. I want to work towards gaining opportunities to work in both areas.

Summer Saturday performance club poster for L’Ouverture

LLO: Favourite London-based artists and designers?
AB:
I am very fond of a London-based artist/designer/illustrator who calls himself TWIY (Alex Chappell). He has a unique style in the work that he does. He ranges from print design, to illustration to painting. His work can be described in many more words than one, because I haven’t really come across many works like his. Some of the words that could be used to describe his work are unique, vibrant, exuberant, fresh amongst many more. People should take a look for themselves at his site. (www.twiy.co.uk)

LLO: How would you like to see your career develop over the next few years?
AB:
In the next few years, I want to gain as much valuable experience as I can. I also want to keep on developing my style of work, as I will be doing throughout my career. Ultimately, I would want to have enough knowledge and preparation to be able to set up my own freelance design business.

Calling all playwrights competition poster

LLO: What are you working on now?
AB:
I recently finished working on a marketing campaign to promote a website relaunch of L’Ouverture’s partner IdeasTap. I created a promotional video to attract people to the new site. I am also currently working on completing a promotional video to advertise L’Ouverture and their services.

Apart from working with L’Ouverture, I am also working on a variety of other external projects.

My main personal project I am working on is redesigning the style of my website and also updating my portfolio. I try to always update the style of my site (www.ahmetbarutdesign.com) as much as I can. This plays a big part in my training for web design, as I would like to gain a foothold in the web industry.

I have also just finished working with a recently graduated music producer who goes by the name of Dev.Soul. He will be releasing his debut album, so I branded his name and designed him a music album sleeve cover, album booklet and business card. I have already worked with Dev.Soul in the past on another project. This project was called “20th July 1974”. We collaborated in creating a visual audio documentary based on the Turkish Cypriot’s untold story of the Cyprus war in the 1970’s.

I am also currently involved in an ongoing self-initiated project, which carries on the work of “The Misunderstood religion of Islam” project, which hopefully helps people become aware of certain world and social issues and also makes people clear about the teachings and beauty of Islam.

Thanks Ahmet! 

For more London Art Spot interviews, click here.